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LIVEMIX MIX-32
LIVEMIX MIX-32
32 mix distributor
MSRP $2639.99

The MIX-32 is the central mixer for the Livemix personal monitoring system. The MIX-32 supplies mix streams as well as power to each of the connected personal mixers.

The MIX-32 will generally be placed near the personal mixers, likely in a rack near the stage. The MIX-32 receives input data over a network cable, either from the AD-24 (shielded) or a Dante network via the LM-DANTE-EXP Dante card.

Each port on the MIX-32 supports two discrete mixes for up to 32 total mixes. Connect a single CS-DUO or up to two CS-SOLOs to each port with standard network cable. Maximum combined CAT5e cable (shielded or unshielded) distance is 100 meters.

Livemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Front Image
Livemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Front Image
Livemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Angle Image
Livemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Back Image
Livemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Audinate Dante Image
Livemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Front ImageLivemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Angle ImageLivemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Back ImageLivemix MIX-32 Central Mixer Distributor For Livemix In-ear Monitoring System Audinate Dante Image

FEATURES

  • Livemix personal monitor system with 24 channels of audio

    24 Channel + 4 Accessory Channels

    The MIX-16 receives 24 channels of audio from the AD-24 (for analog sources) or the LM-DANTE-EXP option card (for digital sources from a Dante™ Network). This is more than enough to handle the needs of church, studio, and live event stages while still being simple to use with the intuitive mix interface.

  • Livemix personal monitor system with 24 channels of audio

    24-bit Mixing

    High quality audio processing means mixes come together quicker and easier. Clear separation of instruments with no smearing and accurate sound reproduction make Livemix the best sounding personal monitor mixer on the market. Digital Audio Labs’s decades of experience in digital audio give you the very best sounding mixes possible.

  • Livemix with expansion port icon

    Expansion Port (Option Card)

    With the built-in expansion port, you never have to worry about future compatibility. The audio world is always changing and Livemix will support those changes so you can be assured that your personal monitor system will provide many years of best-in-class functionality.

  • Livemix personal monitor system - In-ear monitor - wireless

    Output to Analog for Transmitters

    Each MIX-16 has an output port for connection to the optional Livemix DA-816 analog output unit. This lets you assign personal monitor mixes to one of 8 stereo outputs for easy wireless in-ear monitor integration.

  • Livemix personal monitor system supports up to 32 personal mixes

    Supports Up to 16 Personal Mixers

    16 front panel ethernet ports provide power and mix capabilities to up to 32 personal monitor mixes. This can be through 16 dual mix CS-DUO units, 32 single mix CS-SOLOs or a combination.

DOWNLOADS

CURRENT FIRMWARE VERSION

CS-SOLO/CS-DUO

2.15

MIX-16/MIX-32

2.15

DA-816

1.10

LM-DANTE-EXP (only)

18.2.7.116

LM-DANTE-EXP2
(no update needed at this time)

18.3.13.127

**The Livemix MIX-32 uses open source code. The FreeRTOS source code is available for download here.

LIVEMIX MIX-32
Max Cable Length
to CS-SOLO/CS-DUO
100m CAT5e cable (shielded recommended)
Max Cable Length
to AD-24/DA-816
100m CAT5e cable (shielded required)
Bit Rate24-bit Digital Mixing and Processing
Sample Rate48 kHz
Digital FormatProprietary in system
ExpansionOption Card Slot

MIX32

With feedback from our end users and dealers, we are continually making Livemix better with firmware updates. These USB ports are used for updating the firmware.

We recommend placing the MIX-16 or MIX-32 near the stage. This will maximize the cable lengths for each personal mixer.

Livemix supports up to 24 input channels and provides 4 additional accessory channels (Ambient Mic, Intercom, Aux Input, and Metronome).

The MIX-32 supports 32 personal mixes and up to 24 channels.

Livemix has a passcode feature for protecting certain settings. The passcode protects one or both of the Global Effects (channel EQ, Dynamics and HPF) and/or Global Configuration (all global features including Global Templates).

Livemix has a passcode feature for protecting certain settings. The passcode protects Global Effects (channel EQ, Dynamics and HPF) and/or Global Configuration (all Global features including Global Templates).

Livemix is able to select up to 24 channels from any of the available channels on the Dante network.

Livemix works with either analog or digital (Dante) input. With the AD-24 analog input unit you can connect TRS or DB25 connectors from your console or recording interface. For a Digital connection with Dante, plug directly into a switch. For other digital formats (MADI), you may need a format converter.

Dante Controller is not needed for setting up Livemix on the Dante Network. However, you will need to use Dante Controller to set the Master Clock for the Dante Network. See the LM-DANTE User Guide pg. 8 for assigning Dante Channels.

AES67 is an interoperability protocol that promises the ability to share digital audio from non-compatible networks. As the AES67 standard is not fully implemented at this time, AES67 is not yet supported.

Livemix operates at 24-bit digital mixing and processing.

The Livemix system latency is a maximum of 1.5 ms.

Each MIX-16/MIX-32 Control Surface port supports a maximum combined CAT5e (shielded recommended) cable distance of 100 meters.

The maximum supported CAT5e (shielded required) cable distance of 100 meters.

The maximum supported CAT5e (shielded required) cable distance of 100 meters.

Shielded cable is required for connecting both the AD-24 and the DA-816 to the MIX-16 or MIX-32. Shielded cable is not required for connecting a CS-SOLO or CS-DUO to the MIX-16/32 or connecting the LM-DANTE card to the Dante network. However, shielded is recommended.

We recommend to make the Master clock the console or Dante card in the console. NOTE: There are two ways this can be done. 1) Set the console’s internal clock as Master, then using Dante Controller, set the console’s Dante card as Master clock (for the Dante Network) and also check box “Sync to External”. This will allow the card to stay synched to the console’s master clock. 2) Set the console’s internal clock to be slave of the console’s Dante card. Using Dante controller, set the console’s Dante card as Master clock.

You will need to select Sync to External if the word clock on our console is not set to slave or if you are using any other clock source. i.e Madi, AES50 etc.

48kHz has long been the standard for network audio, offering the combination of the most compatibility, fidelity and throughput.

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QUESTIONS ABOUT LIVEMIX?

This brochure is a great place to start. Not only does it have a comparison of Livemix vs. other personal monitor systems, it also has great articles on the benefits of personal monitors and how to make a great personal monitor mix.

OTHER LIVEMIX PRODUCTS

Digital Audio Labs Resources, Training, Blogs
Product Support
Digital Audio Labs Dealers and Demos
Digital Audio Labs contact page
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