Livemix has a passcode feature for protecting certain settings. The passcode can lock out the Global Effects (channel EQ, Dynamics and HPF), Global Configuration (all global features including Global Templates), and Global MirrorMix®.

Shielded cable is required for connecting both the AD-24 and the DA-816 to the MIX-16 or MIX-32. Shielded cable is not required for connecting a CS-SOLO or CS-DUO to the MIX-16/32 or connecting the LM-DANTE card to the Dante network. However, shielded is recommended.

As of Livemix version 4.0, the Dante Controller is required for setting up Livemix on the Dante Network. Versions prior to 2.15 do not require the Dante Controller, although it’s use is recommended. You will also need to use Dante Controller to set the Master Clock for the Dante Network. See the LM-DANTE User Guide pg. 8 for assigning Dante Channels.

AES67 is an interoperability protocol that promises the ability to share digital audio from non-compatible networks. As Dante is compatible with AES67, an AES67 network is possible but we do not offer support for creating an AES67 network.

The MIX-16 supports 16 personal mixes but has up to 24 channels.

Livemix works with either analog or digital (Dante) input. With the AD-24 analog input unit you can connect TRS or DB25 connectors from your console or recording interface. For a Digital connection with Dante, plug directly into a switch. For other digital formats (MADI), you may need a format converter.

Livemix is able to select up to 24 channels from any of the available channels on the Dante network.

Livemix supports up to 24 input channels and provides 4 additional accessory channels (Ambient Mic, Intercom, Aux Input, and Metronome).

You will need to select Sync to External if the word clock on our console is not set to slave or if you are using any other clock source. i.e Madi, AES50 etc.

We recommend to make the Master clock the console or Dante card in the console. NOTE: There are two ways this can be done. 1) Set the console’s internal clock as Master, then using Dante Controller, set the console’s Dante card as Master clock (for the Dante Network) and also check box “Sync to External”. This will allow the card to stay synched to the console’s master clock. 2) Set the console’s internal clock to be slave of the console’s Dante card. Using Dante controller, set the console’s Dante card as Master clock.

Livemix has a passcode feature for protecting certain settings. The passcode protects Global Effects (channel EQ, Dynamics and HPF) and/or Global Configuration (all Global features including Global Templates).

Livemix operates at 24-bit digital mixing and processing.

The maximum supported CAT5e (shielded required) cable distance of 100 meters.

Each MIX-16/MIX-32 Control Surface port supports a maximum combined CAT5e (shielded recommended) cable distance of 100 meters.

The maximum supported CAT5e (shielded required) cable distance of 100 meters.

The Livemix system latency is a maximum of 1.5 ms.

With feedback from our end users and dealers, we are continually making Livemix better with firmware updates. These USB ports are used for updating the firmware.

We recommend placing the MIX-16 or MIX-32 near the stage. This will maximize the cable lengths for each personal mixer.

48kHz has long been the standard for network audio, offering the combination of the most compatibility, fidelity and throughput.